That tattoo

Here's that tattoo again, now fully healed and less red raw. I finally got to see it in the flesh this week when I went up to Sydney and spent an evening hanging out in Newtown with the Fabulous Sebastian (pictured).

I would have used one of the other pictures I took, which don't include any rude gestures - but this is the only one in which my Human Canvas is actually smiling. We'll just pretend he's showing off his gold and onyx Victorian mourning ring, instead of giving me the finger for teasing him about his macho photo poses.

See - he's pretty when he smiles!

For the original tattoo drawings, check this earlier post.

Carne viva

Well, check this out! This is a still-throbbing tattoo that was applied just yesterday to the right arm and shoulder of punk DJ, wrestling commentator, sometime Vampire MC and all-round firecracker the Fabulous Sebastian. I designed it for him only a couple of weeks ago, and here it is already, en carne viva. Wow.

I've only know Sebastian for a short time, but he has quickly showed himself to be the human incarnation of a devilishly raised eyebrow. An irresistible conversationalist, and a very fascinating creature indeed. So when he asked me to design a tattoo for him, I almost tripped over my nibs to get to the brush pen and have at it.

The request was for a skull. He's already got a very different-looking skull on the left arm, courtesy of Devil's Candy designer Eva Collado. I'd shown Sebastian a couple of my preliminary Hamlet pictures, and he liked the twisted black lines of Hamlet's "hair", so I decided to incorporate a variation of those lines into the design. As it turns out though, the lines in the tattoo design are very different to anything I'd envisaged using in Hamlet. However, I like them so much, that I'm thinking up ways that they might be incorporated into the book. The brush pen lends itself perfectly to these delicate swirls and mid-curve kinks, and I found that it led my hand quite unexpectedly into a whole new style. This is what the first version looked like:

When Sebastian showed it to the tattooist, he was told that the very fine "white" areas within the black would not work well. Apparently tattoo ink spreads in the skin over the years, so very small spaces tend to get eaten up by the black. I needed to get rid of some of the tiny white dots (a pity - I like them), and Sebastian also asked me to add some more curls at the sides of the skull, so that the design would wrap around his arm more.

To do this without the risk of messing up the original drawing, I laid a sheet of tracing paper over the top and did the new lines on that. My new Pentel fountain brush pen came in handy here, as its ink is waterproof and sits nicely on the tracing paper (the Chinese non-waterproof ink in my Pentel Aquash breaks up into beads on the surface). I then scanned the new parts, made a couple of small changes and added them to the existing scanned image, so the result looked like this:

And that is pretty much how it went onto the arm - apart from the enlarged tears which Sebastian said reminded him of prisoners!

It does look a little bit different when it's wrapped around a three-dimensional body - and it gives me the absolute shivers to see it there, on a living canvas! I have warned Sebastian that next time I'm up in Sydney, I'm going to take so many photos of him flaunting the tattoo that the ink is going to fade under the flash-bulb onslaught.

So, we're all happy. Sebastian has offered himself as my Muse (and there is some sort of resemblance to the Dane, I have to admit), and I've offered to design as many tattoos as he wants to bear. He's already asked me about starting on a second one...

I'm hooked. How could I say no?